Three Days of the Dodo Bird

The psedonymous Hollywood writer David Kahane has an inspired idea for a screenplay that takes off from the life and times of Nancy Pelosi. He describes it as Three Days of the Condor meets The Jerk. In one corner we have Speaker Pelosi. In the other corner?

In the other corner we have the Central Intelligence Agency, which we in Tinseltown have been depicting for years as just about the most malevolent organization in the world, outside of the Catholic Church, the Club for Growth, and the Cheney family. In movie after movie, the shadowy CIA guy always wound up as the villain in the last reel. So imagine our surprise when, during the Bushitler interregnum, we discovered that the CIA is on our side, and has been for decades! Screwed up the whole Shah of Iran thing and opened the way for the mullahs? Check! Consistently overrated and then failed to forecast the sudden disintegration of the Soviet Union? Check!! Never did quite figure out what Osama bin Laden was up to? Check!!!

To top it all off, along came super-top-secret agent/Vanity Fair babe Valerie Plame and her dashing, Graydon-Carter-tressed hubby, Joe Wilson, running a sting operation against the hapless Bush White House, whipsawing the president and the veep with Joe’s unprovoked New York Times tale of sipping mint tea with Colonel Kurtz up the Congo and all of sudden there’s shouting about the “sixteen words” in Chimpy’s State of the Union address and Valerie is outed by Cheney flunky Scooter Libby — okay, by Colin Powell flunky Dick Armitage, same thing — and then Judy Miller goes to jail and . . .

I would like to think that Kahane’s research for his screenplay included my own “Three years of the Condor.”

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