Where did all that “stimulus” money go? Some of it was tracked down yesterday by Fox News:
The National Endowment for the Arts may be spending some of the money it received from the Recovery and Reinvestment Act to fund nude simulated-sex dances, Saturday night “pervert” revues and the airing of pornographic horror films at art houses in San Francisco. …
[S]ome of the NEA’s grants are spicing up more than the economy. A few of their more risque choices have some taxpayer advocates hot under the collar, including a $50,000 infusion for the Frameline film house, which recently screened Thundercrack, “the world’s only underground kinky art porno horror film, complete with four men, three women and a gorilla.” …
Some members of Congress raised alarms as the stimulus bill was being drafted and approved, but President Obama, while admitting there were problems with the $787 billion legislation, stressed the need for immediate action to resuscitate the economy.
“We can’t afford to make perfect the enemy of the absolutely necessary,” Obama said at the time.
But he presumably didn’t intend to have stimulus money help fund the weekly production of “Perverts Put Out” at San Francisco’s CounterPULSE, whose “long-running pansexual performance series” invites guests to “join your fellow pervs for some explicit, twisted fun.”
CounterPULSE received a $25,000 grant in the “Dance” category; a staffer there said they were pleased to receive the grant, “which over the next year will be used to preserve jobs at our small non-profit.”
Actually, I don’t think there is any reason to believe that Obama would disapprove of this expenditure of “stimulus” money. On the contrary, what we see here is a microcosm of what the “stimulus” bill was largely about: shoveling taxpayer money indiscriminately at constituencies of the Democratic Party.